3,370 로열티 프리 오디오 트랙들 "String Quartet No. 6 (beethoven)"에 대한

Beethoven String Quartet 3 opening

From Beethoven Symphony No. 6

Piano Sonata Op. 57, third movement bars 20-27

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 3. Rondo (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 1. Allegro moderato (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Concerto for Piano and Orchestra no. 4 in G major - 2. andante con moto (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Beethoven, Symphony No. 3, first movement, bars 123-131

Beethoven Piano Concerto 4 slow movement, bars 47-55

Beethoven Piano Sonata Op 27 No. 2, first movement opening bars

*Square root of 6 on C. √6 : 2 = 350.98 cents. MIDI pitch bend: 40,48

Alberti bass in the opening of Clementi's Sonatina in G, Op. 36, No. 2.

*Square root of 6 on C. √6 : 1 = 1550.98 cents. MIDI pitch bend: 40,48

Performance Conductor: Simon Schindler Ensemble: Fulda Symphonic Orchestra Location: Grosser Saal der Orangerie Fulda Work Composer: .mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Ludwig van Beethoven  (1770–1827)      

Song: I Want a Girl (Just Like the Girl That Married Dear Old Dad). Composed by Harry Von Tilzer (music) and William Dillon (lyrics). Performers: American Quartet.  

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Old Ironsides" (1926) as performed by the United States Marine Band. Track 104 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Black Horse Troop" (1924) as performed by the United States Marine Band. Track 100 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Dauntless Battalion" (1922) as performed by the United States Marine Band. Track 96 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

*6 steps in 19 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/19:1 = 378.95 cents. MIDI pitch bend: 34,57 Created in Sibelius with midi pitch bend on 89 for 378.125 cents rather than 378.96. New version a m3 on 33,89 for 378.9306640625 cents rather than 378.96.

*6 steps in 15 equal temperament on C = E♮ (Easley Blackwood's notation). Equal-tempered: 26/15=2/5:1 = 480 cents. MIDI pitch bend: 76,89 on a M3

John Philip Sousa's "The National Game" (1925) as performed by the United States Marine Band. Track 102 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Marquette University March" (1924) as performed by the United States Marine Band. Track 101 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ancient and Honorable Artillery Company" (1924) as performed by the United States Marine Band. Track 99 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "March of the Mitten Men" (1923) as performed by the United States Marine Band. Track 97 from the band's 2020 album The Complete Marches of John Philip Sousa: Vol. 6 (1922-1928). Conducted by Lieutenant Colonel Jason K. Fettig.

Cadenza from Beethoven's Concerto in C minor, piano part.

Anfang des zweiten Satzes aus Beethovens Opus 109

Example of the submediant ("triad on VI") used as a dominant preparation.

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

*6 steps in 7-et on C. Equal-tempered: 26/7:1 = 1028.57 cents. MIDI pitch bend: 18,73

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Piano Sonata No. 10, 3rd movement, allegretto.

First theme of Mozart's Sonata in C Major, K. 309, measures 1-20.

Phrase group of three four bar phrases in Mozart's Piano Sonata in F, K. 332, first movement.

Start of second subject (D major) of Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 13–16.

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

From the New World Theme from Dvoraks 9th Symphony von The Good China

Jingle Bells by the Million Dollar Quartet, 1956. On the piano seems to be Jerry Lee Lewis, Carl Perkins on lead guitar and W.S. Holland on drums. Jingle Bells vom Million Dollar Quartet, 1956.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

Grosse Fuge Opus 133 by Ludwig von Beethoven, recorded by the Lener Quartet in 1919. First published recording of this piece. Jenö Léner (or Lehner), first violin, Joszef Smilovits second violin, Sándor Roth viola and Imre Hartmann cello. Recorded on the Columbia label (in 78 RPM format).

Fifth Symphony, opening, known as the "fate" motif.

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

Op. 109, bars 1-4.